Lewis Carroll: Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There
Here is a perfect example of what happens when an author gets too big for his britches. Just as Thomas Paine produced a work of genius and promptly became an obnoxiously self-important boor, so Lewis Carroll seems to have taken the success and masterfullness of his first Alice book too seriously and forced a level of literariness on his second book which makes it seem self-conscious and forced. Part of the delight in Wonderland, for me, comes from it's utterly unpretentious lack of structure or explanation. Alice trips dreamily from one scene to the next without exposition and, more importantly, without ever saying that she is in a dream world (although it is understood). The indelible characters, the fabulous puzzles and wordplay, take most of their allure from their complete whimsy.
Not so with Through the Looking Glass. Alice's environment shifts about her very heavyhandedly, as though Carroll is going to some effort in making his story more accurately represent a dreaming state. Also, there is a sense of continuity in the conceit of the chess game that leaves less to the reader's imagination. Perhaps this is why, with the possible esception of the White Knight, all of the characters in the latter Alice volume are quite forgettable. And the White Knight's nice characterization seems to come simply from the moral attached to Alice's encounter with him. In the person of the aging caballero, Charles Dodgson (not Carroll) reminds Alice Liddell, the intended audience, that there is virtue in befriending a pathetic elderly admirer. What a giveaway.
1 Maccabees
Is it possible that the Bible is a treatise on the Tragic Flaw? If so, it is no wonder that this book did not make it into the final canon. The family Maccabeus has none of the dramatic character flaws that make David (lust), Noah (intemperance), Moses (pride), and Paul (just a jerk) such formidable figures. In fact, with the exception of Jesus (open to debate) and Daniel (as you may know, one of my favorites), the heroes of the Bible all seem to suffer from some sort of Greek Theater complex, and are responsible for their own downfall. Not so with the family Maccabeus. Each brother (and presumably, as the narrative continues in 2-4 Maccabees, grandsons et al) is an upright and valorous defender of Truth whose end has nothing to do with his own faults. Booring.
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